Wonderstruck is a six-hundred plus page juvenile fiction novel that might only take kids an hour an a half to read. That is because much of it is told in picture book form (Although, I found myself revisiting the artwork again and again.). Wonderstruck is two stories. Ben, a ten year old deaf boy runs away to New York City, following a trail of clues to find his abandoner father. Ben’s story is set contemporarily and told via traditional paragraphs. In the companion story, Rose is a ten-year-old deaf girl in 1927, who runs away to New York City to find her distant mother. However, Rose’s adventure is told entirely through the author’s mimetic pencil illustrations. The two journeys lead both characters to explore and hideout in The American Museum of Natural History. Eventually their timelines cross. Ben and old age Rose are united through their mutual interests in the same animal habitat diorama – a means of storytelling weaving art and science, life and imagination. Likewise in the last section of Wonderstruck, words and pictures, become interwoven.
Maurice Sendak once said, ““I don’t write for children. I write–and somebody says, ‘That’s for children!’” Wonderstruck is a fun, intertextual odyssey for the mind and the eye. There are also difficult circumstances of disappointment and death that the characters confront together. It is life illustrated for child and adult.