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Posts tagged ‘fat’

Media Log: 02.19.2012 – PARADISE LOST 3, THE GREY

West Memphis 3, Paradise Lost 3

(cinema) Paradise Lost 3, Purgatory (d. Joel Berlinger and Bruce Sinofsky, 2011) It’s been 16 years and two sequels since I saw the first Paradise Lost documentary at the Film Forum in New York City. I’m glad the wrongfully accused are set free but I still feel the truth rots a in dark, incarcerated place. I remember that the first documentary, a compelling story of wrong compounded by wrong, was also a frustratingly unthorough piece of journalism. The synopsis is that in 1993 three eight year old boys were murdered and thrown in a ditch in West Memphis, Arkansas. Three teenage boys, to be nicknamed the West Memphis 3, were convicted of the murders under highly questionable investigatory and judicial procedures. The first film fell well short for me in providing a sufficient account of the prosecution’s so called case. A year after seeing the first PL the friend I went to see it with called me up and said, “I heard those documentary guys made it all up to make the teenagers look good. When you hear the whole story they are totally guilty.” Really? What’s your source? None, really. Is there a whole story?  I have always been convinced that the teenagers were railroaded. But after years of sequels, cult-like public outrage, websites, Eddie Vedder and Johnny Depp I still have no idea what happened back in 1993. If the WM3 were not murdering cub scouts that night in 1993, where were they? None of these films have ever discussed an alibi. If a documentary is presenting itself as the balanced account of its subject matter and one side of the argument is being left out, there must be a reason. I can’t speculate the reason because facts in this case have always been overshadowed by emotions, self-righteousness on behalf of the WM3 supporters, stubborn obfuscation by law enforcement, and repeated attempts by the filmmakers to offer alternative accusations that frankly are as shoddy and irresponsible as the lousy case against the teenagers. There is another feature documentary ,West Of Memphis, in circulation as well as many tv magazine pieces which may provide more information. I’d like to know if there is more to know about what happened the night those young boys were murdered, and I’d like to know more about what the police actually had on the WM3. In Purgatory the defense has gone to all the trouble of pulling together world renown criminal profilers and DNA experts. Yet the new documentary doesn’t reveal one thing we didn’t already know. These films succeeded in calling attention to injustice perpetrated on the accused and the fact that the real killer will never be brought to justice. The Arkansas court system created an outcome in which the case will never be reopened. The whole story is fascinating and sad, but these movies aren’t very good either. ๏ ๏ outof ๏ ๏ ๏ ๏ ๏… The Grey(d. Joe Carnahan, 2012) An airplane transporting ruffian oil workers

The Grey. Your enemy or your conscience?

crashes in barren Alaska. The men must try to survive arctic conditions, interpersonal conflicts, and attacks by an aggressive pack of wolves. The wolves are of course metaphor for the organizational behavior of a pack of men on the brink as well as the haunting pasts that brought each man to this frozen Purgatory. The challenge includes lots of tense survival action and man-chewing wolves, but what keeps the film interesting are the metaphysical elements, both in the blurry camerawork and the cryptic storytelling. Is this situation real or are we in the self-exiled imagination of the central character? Not brilliant but  an experience, however harrowing. ๏ ๏ ๏ out of ๏ ๏ ๏ ๏ ๏… (theatre) West Side Story (RISE theater company at Stadium Performing Arts Center, Woonsocket, RI) I go to a lot of community theater and you might think I am fortunate to live in a place where there are many local companies. One has to approach community theatre with prejudice of lowered expectations. Some of the worst crap in the world gets to Broadway with multi-million dollar underwriting. Under what circumstances can one expect no-budget theatre to be any better? Surprisingly often the risk does pay off in community. I see performers all the time who have dedicated their lives to craft and not to making it big. But “big” took on new meaning for me in seeing this production of WSS when the curtain went up on a cast of teenagers who were mostly all overweight. I’m not kidding. I don’t know anything about casting a play in suburban area where your company may also be completing with a lot of other companies, but surely someone had to realize the absurdity. WSS is as much a dancing show as it is musical as no one wants to see roly-poly people rolling around on the stage floor. I will say that the lead vocals were excellent. But the show itself seemed out of the director’s grasp. The pacing was awkward, the actors were bad, and the choreography was an embarrassment waiting for wincing audience. Whoever you are RISE, you need to set your ambitions lower for now and find material that is appropriate for your acting pool.

Media Log 01.17.2012

50/50 : Gordon-Levitt/Rogen

(cinema) 50/50, d. Jonathan Levine, 2011. Can you take a movie seriously that starts with the line, “I can’t have cancer, Doc. I recycle”, even if it’s a comedy? What if  it’s a comedy about cancer? The script for 50/50 attempts to straddle a fence between being a wise cracking comedy about a young guy facing death, and an insightful drama about a young guy facing death. While Joseph Gordon-Levitt plays the young cancer patient adequately, he isn’t given much to do. When his mother, his best friend and his girlfriend all react in different ways badly to his condition, Cancer Boy comes off a bit blase to me. I don’t think he even looks that sick. But most of the characters in this movie aren’t very convincing. The girlfriend’s shallowness seems forced, all the doctors wouldn’t be so robotically insensitive, the perky new psychologist couldn’t possibly be so badly trained, and don’t tell me the mother would have actually said “I smothered him too much because I loved him.” The problem with 50/50 isn’t with any of the actors or even with trying to milk comedy out of a sad subject. I think Seth Rogen as the funny, knucklehead best friend who has no filter is the best character. But, on the whole, 50/50’s dialogue and characters just aren’t genuine enough for laughs or tears. When Gordon-Levitt’s character finally has an emotional catharsis near the end it’s too much too late… (television) Star Trek DS9, PROGRESS, S1-Ep.14. Major Kira, assigned to evacuate a Bajoran Moon for mining, confronts a stubborn farmer and an ethical dilemma about repeating the abuses perpetrated by the Cardasians on the Bajoran people. To this point in the show I have found Nana Visitor’s performances as Kira to be annoyingly at full volume. For once her over-excitement seems to have collided with a good script. I like Kira in this one and the turmoil she has with hating and having to do what’s right. Brian Keith as the irascible but wise old farmer is great too… The Golden Girls, BLANCHE’S LITTLE GIRL, S3-Ep.14. Blanche’s estranged daughter shows up after three years with a fiance and a lot of pounds heavier. When it turns out the fiance is a mean creep, Blanche is torn between protecting her daughter’s interest and butting into her life. This one is a better comedy episode than it is a drama, especially Sophia’s fat jokes about the daughter. It’s a little weird that the Goldies get so ticked off about the fiance making fat jokes when they were being just as mean.