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Find the BIG Meaning of Your Novel

This is great advice to writers on thinking about the scope of your work. I know the little truths come easily for me. The big Truths always look line a moving target.

link: http://www.stumbleupon.com/su/25K6lO/justinemusk.com/2012/02/17/meaning-truth-novel-how-to-blog/

JUSTINE MUSK

how to find the Big Meaning of your novel (+ blog) that will make your readers fall wildly in love with you

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So I realized I was coming at my novel from the outside in.

I’d created a complex storyworld with a cast of characters and tangled backstory shaping the frontstory. It was like I had the map, but couldn’t find the interstate freeway leading to my destination. I was going down some dark country roads, and it was only a matter of time before I’d end up in a town of cannibals or something.

(Cue the sound of a chainsaw.

…On second thought, DON’T.)

As Roz Morris suggests in her book NAIL YOUR NOVEL, one way to help yourself get unstuck is to remind yourself why you wanted to write the damn thing in the first place.

For me, for this book, it was the idea of repetition compulsion: how we recreate relationships and situations from the past in an ongoing effort to resolve them. I’m using reincarnation as a metaphor for that.

But what is the point of the book? If art is the creative demonstration of a truth, what is the truth I am trying to prove? I needed to get at the novel from the inside out.

Back to basics: a story is about a character who wants something and must overcome obstacles to get it.

But in order to do that, she’s forced to change in some way.

It’s in the overcoming of those obstacles that she finds what she lacks, and acquires what she needs, to achieve her goal (or not). The meaning of the story – the thematic significance – is in that character growth. That shift in consciousness that makes a new life possible.

In her book THE PLOT WHISPERER, Martha Alderson advises you to look to your own life, for your own truths, that you can then bring to bear on your novel. What are the big truths of your life?

I’m talking what Jim Signorelli refers to as big-t Truths, those metaphysical truths that we can’t measure or quantify but recognize, somehow, as right. We vibe with them.

In contrast, little-t truths are the facts and figures we find in the history books, for example. So-called objective information. (It’s not like history is, you know, written by the victors or anything.)

Little-t truths can be manipulated.

Big-t Truths cannot: they are what they are, and they remain the same from Homer to Shakespeare to Spielberg to Joyce Carol Oates. They are the abstract truths that live behind, and in between, and beneath the other kind. Little-t truths inform us; big-T truths live inside us, and a writer doesn’t teach or preach so much as stir them to life. We feel that shiver of recognition, that sense of deepening alignment with the values of the novel, as we live vicariously through the characters and arrive at a sense of what it all means.

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Big-t truths live in your platform as well, your blog – that is, if you want to create something powerful enough to attract and engage new readers and deepen your connections with your fans.

It comes back to the question: What do you stand for? What is your purpose? What is your defining value or ideal?

The nature of blogging (and online writing in general) is to provide information that solves problems, that illuminates or improves your reader’s life in some way. Think of that information as the bait on the hook that draws your readers to you (you just want to make sure that it’s the right bait for the right kind of audience).

But to turn those readers into fans, you need to deepen that engagement, because information on its own isn’t enough.

The gurus will say that you need to connect with readers emotionally, and that’s true. But more than that, you need them to resonate with you. And that happens when they can sense the big-t Truth living behind that information, shaping the delivery of that information, and they recognize it as their Truth as well.

Community develops around shared values.

To find yours, Signorelli suggests what he calls the “laddering interview”, or what is elsewhere known as “the five whys”. You explore the motivation behind your motivation behind your motivation until you get to its root cause. That’s where you find your Truth.

For example:

Why blog about creativity?

Because I think it’s important to a well-lived life, a healthy society.

Why?

Because it deepens your connection to yourself and the world.

Why?

Because it helps you explore and develop your identity, your voice, your vision, and project that into the world.

Why?

So you can interact with the world as your full-bodied, amplified, authentic self, which allows you to stand in your power and connect with like-minded souls.

Why?

So you can work together to create a movement, raise awareness, find innovative solutions, that change the world. And sell your work and make some money as a side benefit.

You try it.

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Getting back to my novel, this is the thematic statement I came up with:

The hunger for love leads to distortions of love, but only real love can heal and transcend the cycle of exploitative relationships.

So my character has to grow toward genuine love and intimacy in a way that helps her save herself (and others). I have to create the events, characters and situations – the objective information, the little-t truths, the ‘plot’ — forcing her to do that.

Wish me luck.

What are the Truths that you’re working with?

Buying Me Love: 1980s Class-Clash Teen Romances

Link to article in the Journal of Popular Culture from 2011 by Timothy Shary

link: sharybuyingmelove

Timothy Shary is an associate professor of Film and Video Studies at the University of Oklahoma. He has published three books on youth in cinema and is currently researching the depictions of elderly characters in movies. In addition to PCA, he has presented his work at FWPCA and SPCA.

Penthouse Founder Dies at 79. An Open Letter to Bob Guccione.

link: Bob Guccione, Penthouse Founder, Dies at 79 – NYTimes.com

Dear Bob Guccione,

I was sad to learn today that you are no longer coming down for breakfast.  As publisher and founder of Penthouse magazine,  you were more degenerate than Hugh Hefner, but less oogie than Larry Flint.  You were like a 6 on a 10 point swinger- to-sleazeball scale.  But your pornographic inspirations played an important role in my nescient tween years.  Most guys will tell you that as a boy they kyped Penthouse from their dad’s drawer or from under their older brother’s bed, or somewhere.  My brother also collected the Reader’s Digest-sized Penthouse Forum, and it was the best.  In Penthouse Magazine you may have given America its first look at pubic hair, but I loved Forum and its famous letters from readers with their supposedly true sex adventures.  This periodically included tales of bisexuality.  When I say bisexual I mean my interest was in the girl-guy-guy stuff you printed.

I always found the pornographic stories more interesting than photos.  I would study Forum on my own and dog ear the pages that described sex scenes in crazy public places or had weirdo fetishism.  And when a male friend slept over I would read these choice stories aloud from the bottom bunk-bed in my room.  I always had a couple of the strangest, strictly hetero items cued up and then, socko, I’d hit ’em with a girl-guy-guy story.  This was an ingenious barometer to test the other boy’s curiosity or abject aversion without revealing any underlying motive on my behalf.  I read maybe some gross water-sports letter to warm him up and then I’d bounce a suggestive bi story off his Protestant armor.  You gave me a tool to know whether to proceed boldly or retreat back into another real adventure in underwear sniffing.  Thank you Bob Guccione for Forum and for what was the genesis of  a predatory system I built upon, perfected and still utilize to this day.  I suppose if this damaged any of my then niave and trusting boyhood friends, who today are married and straight, I ought to say I’m sorry.   But instead I’ll just say, you know who you are.

–  Richard (address withheld)