The Brown Shoe Diaries Halloween Movie Club.Track down today’s movie and post your comments. Good? Lame? Scary? Not scary? Bring it.
Today’s recommended feature is:
The People Under the Stairs
Between numerous sequels of Nightmare On Elm Street and The Hills Have Eyes, horror director Wes Craven came up with this wild, little urban-horror fairytale. It is a horror movie, but a patchwork of just about everything horrible under the full moon: sadomasochism, poverty, injustice, incest, slumlords, economic exploitation, OCD, racism, child abuse, castration anxiety, haunted houses, gore, slapstick, violence, and animal cruelty.
Fool, a 13 year old boy, gets involved in a home robbery with two adult burglars. Fool is looking for a rumored coin collection, the value of which could prevent his family from being evicted and pay for his mother’s lifesaving cancer surgery. The coin collection belongs to a wealthy, racist and a bizzare man and woman who are also the family’s landlords. After breaking into the fortress-like surburban house, the burglars discover that it is full of passageways between the walls, deadly traps, and a vicious guard dog. Also, the homeowners are holding their teenage daughter captive as well as a dozen or so teenage boys in a cage under the stairs, and their tongues have been cut out. The homeowners themselves are a nerotic folie a deux, alternately compulsively clean and prone to wanton destruction of their own property; alternately sexually perverse and obsessive about their daughter’s chastity. Chased by the couple and their flesh eating dog throughout the house and it’s hidden chambers, Fool befriends the teenage girl and her imprisoned, mutilated consorts, and they help him escape with the coins. His family’s financial crisis solved, Fool makes a deadly decision to return to the house and liberate all of the teen prisoners.
The People Under The Stairs isn’t great horror movie or a great movie period. But its unique story and the story telling is intriguing. It has a fairytale quality and a lot of juvenile humor, yet adult themes. It has slapstick and farce, but it’s also effectively violent and gross. The bawdy comedy and gore is definitely intended for a broad theater audience. However dumb it was, I have to confess it worked on me. The bad guys lose and the audience wins.
The People Under The Stairs (1991, d. Wes Craven)